Lifetime Achievement Award – BBC Radio 2 Folk Awards 2014
For more than 50 years Martin Carthy has been one of folk music's greatest innovators, one of its best loved, most enthusiastic and, at times, most quietly controversial of figures. His skill, stage presence and natural charm have won him many admirers, not only from within the folk scene, but also far beyond it.
Trailblazing musical partnerships with, amongst others, Steeleye Span, Dave Swarbrick and his award-winning wife (Norma Waterson) and daughter Eliza Carthy have resulted in more than 40 albums, but Martin has only recorded 10 solo albums, of which the much anticipated Waiting for Angels (Topic TSCD527) was the latest. Whether in the folk clubs (which he continues to champion), on the concert stage or making TV appearances (he was the subject of the acclaimed `Originals' music documentary strand on BBC 2) - there are few roles that Martin Carthy hasn't played.
He's a ballad singer, a ground-breaking acoustic and electric-guitarist and an authoritative interpreter of newly composed material. He always prefers to follow an insatiable musical curiosity rather than cash in on his unrivalled position. Perhaps, most significant of all, are his settings of traditional songs with guitar, which have influenced a generation of artists, including Bob Dylan and Paul Simon, on both sides of the Atlantic.
`Arguably the greatest English folk song performer, writer, collector and editor of them all' Q Magazine
‘Carthy is a master of the ballad of substance, songs that tell stories, whether they are traditional, his own or from contemporary writers.’ The Telegraph
Plus support from Jim Ghedi
An alternative take on classic folk ideas, exploring themes on landscape and history. Incorporating 6 & 12 string guitar composition, orchestral arrangements, Jazz and traditional folk song....
?????MOJO - "Melodically sublime... although Ghedi's music is infused with tradition, it's very much experiencing the present"
????? The Independent - "a raga-like texture of tingling drones and jaunty picking that recalls both John Fahey and the Penguin Cafe"
????? The Financial Times - "This is landscape music, a close relative of landscape art."
????? Uncut - "There's respect here, but no folkloric nostalgia...a delightful hybrid strain"
????? Q - "a brilliant finger-picker and songwriter...shining a welcome light into an underrated genre"
Folk Radio UK - "a small masterpiece"